Photography Cinema

Thotkata: Letter from an unborn child

Image Maker
Thotkata
About
Thotkata, in its very small way, has been trying to include these questions in on- and off-line feminist debates. We started with online activism, but over the years, have participated in protests and responded to events of state violence and ‘industrial accidents’. We have collected many stories of people’s lives and movements and at times been called besshya (prostitutes), bedharmi (atheists), or sarkar-birodhi (anti-government). A decade later, we continue to believe that to speak and write against power is to invite infamy. In our quest for freedom, Thotkata considers such titles as crown jewels and wears them with pride.
Place of Origin
Bangladesh

Overview



More than 119 garment workers were killed in  a fire that broke out at Tazreen Fashions Ltd in Ashulia Nischintapur, an area of Dhaka, on the evening of 24 November 2012. Many family members were unable to identify their loved ones as flesh had burned away, leaving behind only charred bones and skeletons: 53 unidentified bodies were buried in the Jurain Graveyard. Among them was Mimi, aged 18, five months pregnant when she died.

Long before the digital age, we met each other at political rallies, addas (informal gatherings), or in academia. In 2011, when we came together as Thotkata, blogs were already a vibrant site of resistance, but the language was largely anti-women, masculinist, homophobic, and often abusive. We were, and still are, outraged at the aggressive male chauvinism within the Bangla online space. The word ‘thotkata’ means ‘cut lip’, in the sense of “one who is not careful in her speech.” In that spirit, our collective was born out of a commitment to challenge sexism in Bangladeshi digital spheres. We were and are, of course, not alone. The feminist presence has been beaming with the promise of change. However, there was/is a resounding silence about socially differentiated experiences of sexual violence and gender inequality. There was/is also a disturbing development of a sarkari naribad (feminism of the ruling elite) that appropriates feminist causes to serve the agenda of ruling regimes. Rage against rape has somewhat “gone mainstream” but the way power elites try to justify extra-judicial killing of rapists, or resort to sexual morality to cover-up state crimes, has largely escaped feminist attention.

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